Monday, February 20, 2012

The Knuckleball Project

The New Yorker, in 2004:

The knuckleball—also known as the knuckler, the fingernail ball, the fingertip ball, the flutterball, the floater, the dancer, the bug, the butterfly ball, the moth, the bubble, the ghostball, the horseshoe, the dry spitter, and, curiously, the spinner—has been around, in one form or another, for nearly as long as professional baseball itself, though for much of that time it has been regarded with suspicion. Spinning is precisely what it does not do. In fact, a lack of spin is about the only identifying characteristic of the pitch. There is no right way to hold a knuckleball when throwing it (seams, no seams; two fingers, three), and no predictable flight pattern once it leaves the hand. “Butterflies aren’t bullets,” the longtime knuckleballer Charlie Hough once said. “You can’t aim ’em—you just let ’em go.” The pitch shakes, shimmies, wobbles, drops—it knuckles, as they say. Which is doubly confusing, because the term “knuckleball” is itself a kind of misnomer, a holdover from the pitch’s largely forgotten infancy.

Depending on how you look at it, the first knuckleball was probably thrown in the late nineteenth century, by a bricklayer named Toad Ramsey, or shortly after the turn of the century, by the famous junkball ace Eddie Cicotte. Ramsey, who pitched for Louisville in the old American Association, severed a tendon in his left middle finger (that was his pitching hand), and thereafter adopted a peculiar grip, in which he curled his middle fingertip on the top of the ball, exposing the knuckle. His newfangled pitch probably more closely resembled what is now known as a knuckle curve—a pitch that, despite the name, bears little in-flight resemblance to Wakefield’s floater. (The knuckle curve, thrown today by the Yankees’ Mike Mussina, is released with topspin, or overspin, and so does not even belong in the flutterball’s extended low-spin family.)
Tim Wakefield has called it quits, but the pitch lives on.  Long live the knuckleball. It is a baffling and beautiful pitch.

No comments:

Post a Comment